Research & Writing

Digital Sound Studies. Co-editor, with Darren Mueller and Whitney Trettien (Duke 2018).

Mary Caton Lingold and Maria Ryan, “Hearing ‘African’ and ‘European’ Music in the Atlantic World,” Atlantic Studies 23 (3), 267-284, 2026.
Review Essay on “Our Colonial Inheritance,” Wereldmuseum, Amsterdam. Museum Worlds 12, 2024.
Editor, Special Issue on Sound, Reviews in Digital Humanities, 2.1, August 2021.
“In Search of Mr. Baptiste: Early Caribbean Music, Race, and a Colonial Composer.” Early Music, xlix.1, February 2021.
“Digital Performance and the Musical Archive of Slavery: Like Running Home,” Studies in Eighteenth-Century Culture 49, 2020.
“A Vision for a New South,” Richmond Times-Dispatch, June 15, 2020
How Haiti Got Free. Public Books. April 16, 2019.
Tena, Too, Sings America: Listening to an Enslaved Woman’s Musical Memories of Africa. C19 Podcast. Season 1 Episode 10. June, 18, 2018.
“Peculiar Animations: Listening to Afro-Atlantic Music in Caribbean Travel Narratives” Early American Literature 52.3, 2017.
Fiddling with Freedom: Solomon Northup’s Musical Trade in 12 Years a Slave. Sounding Out!: The Sound Studies Blog, December 16, 2013.